Abstract

     Sound installations cross disciplines such as music, visual arts and architecture in the process of exploring new possibilities, but very little has been written in terms of analysing these works. I will explain the methodologies I have developed for the analysis of sound installations, with the hope of forming a basis for more in-depth documentation of this art form. I have used three elements as a basis for this analysis: form - the basic physical and aural form of the work; space - how it occupies the space, and time - how form and space develop over time. To demonstrate these methodologies I will analyse sound installations by Dr Ros Bandt and Nigel Helyer, comparing and discussing various characteristics that contribute to an effective sound installation.

Biography

     Catherine Hocking is a performer and researcher currently undertaking a Master of Arts (Music Performance) at the School of Music - Conservatorium at Monash University. Her research interests are the areas of sound intallation art and contemporary saxophone repertoire. As a performer Catherine plays saxophones with the contemporary music ensemble, re-sound here in Melbourne, playing an intriguing mix of live electroacoustic and contemporary chamber music.